Altered images, subway edition

Altered Bridesmaids movie poster, "Ride Me"

Subway posters aren’t designed to be interactive, but sometimes they get hijacked—graffitied, blackened, torn and rearranged. Generally, I enjoy the results. The posters are ads to consume or deflect, not frescoes to revere. The altered versions tend to conform to just a few common themes. It isn’t exactly original to draw a moustache on someone—Duchamp … Continue reading

Viewing motherhood

New York Lottery Mother's Day poster

I am a daughter, but not a mother. Dorothea Lange’s famously photographed migrant mother had seven children at the age I have none. What I guess is this: once you become a mother, you cannot be impartial, observing life without participating. You are vested, primal. Writer Sarah Black describes a mother’s transformed gloss on reality … Continue reading

Dr. Frank-N-Furter’s erotic valentine

Frank-N-Furter floats; Beardsley's The Mirror of Love

I recently rediscovered The Rocky Horror Picture Show after watching Glee’s Jayma Mays sing “Touch-a, Touch-a, Touch-a, Touch Me.” Trust Dr. Frank-N-Furter to end my blogging dry spell, and make me realize I have something to celebrate on Valentine’s Day—polymorphous perversity! Truly, I have been a devotee of Decadence for years. In that spirit, I … Continue reading

The power of line

New York Times magazine illustration, Kit Hinrichs/Pentagram

Christmas flourishes: paper, pattern, type

Fielding Schofield calligraphy bird

Collected images with a seasonal feeling, featuring special printing and finishing techniques.

Hand-tinted silent film promo cards

Rudolph Valentino, toreador

This post is dedicated to dear friend and film buff Charlie Fisher. Long ago as a junior copywriter à la Peggy Olson, he penned a tagline for Oreo knockoffs—”the black and white cookie with the Technicolor taste.” The silent films here were shot in black and white, but their promos are certainly speaking Technicolor. Click … Continue reading

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